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CLAY…
I love its smell, its sensuous plasticity. Working with clay is symbolic of
my close relationship with the earth and connection to nature. The
directness of clay, ever yielding to pressure, conforming to shapes created
with hands and tools contributes to an immediate manipulative quality that
appeals to me. Feelings of comfort and familiarity are fostered within me
during the creation of a piece.
Gnarled and bulbous root
forms, organic qualities within the swollen curves and shadowy crevices,
contribute to a lifelike essence within each piece. The creative process is
governed by a form-based focus using the tactile manipulative quality of
clay to express symbolic meaning within each piece. An investigation of
megalithic monuments and stone circles of prehistoric times has fostered a
deep respect for the mystery, peace and awe surrounding these ancient stone
configurations. My intent is to use my ceramic forms in the creation of both
contemplative space and expression of human conditions that serve to enrich
our lives.
The
pieces are created hollow, primarily using the coil technique. A specialized
clay body using 30% grog is used to discourage warping and cracking of large
sculptural pieces. Large pieces use a maquette (model) as motivation
during construction.
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Both
earth tone and brightly colored finishes are used along with a black
volcanic ash stain to accentuate the texture and crevices of the organic
form. Larger pieces are constructed in modular sections to facilitate firing
and transporting. Vertical pieces fit together with ceramic flanges, while
horizontal pieces give the appearance of connection while using separate
pieces to create the total form. Most pieces are high-fired for
durability and strength. These sculptures are designed for indoor or outdoor
installation. Resolution of technical issues during the development and
creation of the pieces requires stamina and endurance but the result is a
mature and solid body of work.
The organic qualities of
the sculptures each symbolize a human quality or condition intended to
enhance positive interaction and inquiry with a variety of life’s processes
and circumstances. The variety of themes expressed are based upon an
acknowledgement of universal human conditions that serve to enrich our
lives. The viewer is free to move among the forms, always having the
freedom of interpretation, contemplation, or simply to enjoy the beauty of
the organic presence of each piece. My hope is that these pieces will
convey a sense of peace and tranquility to the viewer, resulting in a
uniquely personal experience for each person. |